Skip to main content

University of London sponsors online Shakespeare authorship course

Ed: Kevin Gilvary, PhD is the author of The Fictional Lives of Shakespeare (Routledge, 2017) and trustee of the Shakespeare Authorship Trust.

by guest correspondent Kevin Gilvary, PhD



The world's first Massive Open Online Course (MOOC) on the Shakespeare Authorship Question will go live on the Coursera platform on Monday February 19, 2018. The four-week online course, which is completely free, is written and presented by Dr Ros Barber, lecturer in the English and Comparative Literature department at Goldsmiths, University of London, and Director of Research at the Shakespearean Authorship Trust.  It includes interviews with leading authorship doubters including this writer [Professor William Leahy of Brunel University] and Oscar-winning actor Sir Mark Rylance. Coursera currently has 30-million registered users and is one of the world's leading providers of free online education.

Registration is now open at https://www.coursera.org/le arn/shakespeare

The Shakespeare authorship question -- the question of whether William Shakespeare of Stratford-upon-Avon had any hand in the writing of the plays attribute to him -- has long been taboo in academia. Despite significant interest in the subject among the general public, English Literature academics tend to dismiss it as a subject not worth discussing. For this reason, the launch of a university-sponsored MOOC which explores the Shakespeare authorship question will undoubtedly be controversial.

When the University of London International (UoLIA) Learning, Teaching and Assessment Subcommittee discussed the approval report for the MOOC, the chair -- a literature professor -- gave a glowing report: saying it was ". . . engaging, really engaged critical thinking, and really added something to literary studies."

From the course description:

This MOOC explores critical thinking, and the interpretation of texts, through the Shakespeare authorship question. Using doubt about Shakespeare’s authorship as our playground, we will explore the key concept of authorship attribution, while developing skills in literary analysis, interpretation, and argument. Through forensic exploration of key texts, by both Shakespeare and other writers of the period, you will learn why Shakespeare’s authorship is questioned, and what evidence is cited on both sides of the debate. For those of you interested in exploring the works of Shakespeare from a new angle, or just wanting to hone your analytical thinking skills, this MOOC offers an introduction to a fascinating area of interest. Those of you already interested in the Shakespeare authorship question will be encouraged to question your own assumptions in fruitful ways. Whether undertaken as a standalone course, or as preparation for the University of London BA in English, this MOOC will be food for thought. 
Shakespeare aficionados and novices alike will find something of interest in this course; likewise anyone interested in logical reasoning, literary history, and the use of evidence. It is pitched at a level suitable for foundation year undergraduates. Although it is structured as a 4-week course, you can do it at your own pace.

Anyone can register for this course, at no cost, at https://www.coursera.org/le arn/shakespeare


Popular posts from this blog

Waugaman named Oxfordian of the Year 2021

by Linda Theil Waugaman taking his first selfie in his home office in Potomac Maryland The Shakespeare Oxford Fellowship named Richard Waugaman, MD, Oxfordian of the Year 2021 at their annual conference on October 9, 2021. Waugaman is a clinical professor of psychiatry on the faculty of Georgetown University, a training and supervising analyst emeritus with the Washington Psychoanalytic Institute, and is in private practice of psychiatry and psychoanalysis in Potomac, Maryland. For over a decade Waugaman has published extensively on the topic of Shakespeare authorship including work in journals outside the normal reach of the subject such as Psychoanalytic Quarterly , the International Journal of Psychoanalytic Studies , and  Contemporary Psychoanalysis . He has presented on the topic before such diverse venues as the International Psychoanalytic Congress, the New Directions Conference, the Shakespeare Association of America, the American Shakespeare Center, and the Cosmos Club in ...

What's a popp'rin' pear?

James Wheaton reported yesterday in the Jackson Citizen Patriot that the Michigan Shakespeare Festival high school tour of Romeo and Juliet was criticized for inappropriate content -- " So me take issue with sexual innuendoes in Michigan Shakespeare Festival’s High School Tour performances of ‘Romeo & Juliet’" : Western [High School] parent Rosie Crowley said she was upset when she heard students laughing about sexual content in the play afterwards. Her son didn’t attend the performance Tuesday because of another commitment, she said.  “I think the theater company should have left out any references that were rated R,” Crowley said. “I would say that I’ve read Shakespeare, and what I was told from the students, I’ve never read anything that bad.”  She said she objected to scenes that involved pelvic thrusting and breast touching and to a line in which Mercutio makes suggestive comments to Romeo after looking up the skirt of a female. The problem with cutting out...

Dudley nails it to the door

Michael Dudley author of The Shakespeare Authorship Question and Philosphy: Knowledge, Rhetoric, Identity (Cambridge Scholars Publishing, 2023) Michael Dudley views his vocation of librarian at the University of Manitoba with dialectic rigor. "Librarianship has a duty to inform democracy," he said in Kathryn Sharpe's virtual bookclub on April 27, 2024. Dudley discussed his new book The Shakespeare Authorship Question and Philosophy: Knowledge, Rhetoric, Identity published by Cambridge Scholars Publishing last fall. Update 08/21/24 Dudley's book is also available as an ebook from   Google Play . In SAQ and Philosophy Dudley uses the hammer of logic to nail his accusations against the barricaded door of the Shakespeare citadel. "The question of Shakespeare's authorship is a malformed debate practiced in an unethical fashion," Dudley said. When asked why his book is important, Dudley said: "What sets my book apart from others on the authorship quest...