Skip to main content

Barbara Burris responds to Shakespeare Fellowship re: Prince Tudor

Authorship researcher and Oberon founding member Barbara Burris sent the following open letter to the Shakespeare Fellowship Board on June 23, 2011. In this letter Burris responds to the board's June 14, 2011 statement titled: "SF board re: Prince Tudor: The Shakespeare Fellowship commends Roland Emmerich for directing the film, Anonymous, but stresses that this production’s 'Prince Tudor' narratives are not essential to the theory that the Earl of Oxford was the writer 'Shakespeare.'" We reprint Burris' letter below with her permission:


Open Letter to the Shakespeare Fellowship Board
It should be of great concern to all fair-minded members of the Shakespeare Fellowship that the board of the SF has followed in the footsteps of the De Vere Society board’s proclamation of true faith and dogma regarding the Prince Tudor theory in all its forms.
Many reasonable and influential persons from the earliest beginnings of the Oxford movement have given credence to evidence for the Prince Tudor issues.
The one-sided pontifical statement from the SF board that documents do not support the Prince Tudor theories is akin to Stratfordian claims that documents, such as the 1623 Folio, do not support Oxford’s authorship. The authenticity of these Stratfordian documents and evidence for the Stratford man’s authorship have been challenged by Oxfordians and so too have the documents and evidence concerning Edward de Vere’s background been challenged by numerous Oxfordians, who maintain that there is not only a problem about the authorship of Shakespeare but about the identity of the true author as well, which they link up with his suppression and total erasure from Elizabethan history.
The SF board’s venture into propounding a dogma on the evidence concerning these contentious issues within the Oxford movement is a dangerous precedent, and one the board has no business getting into. The weighing of evidence is each member’s prerogative. It is not the SF board’s place to lay down pontifical one-sided statements about documentation and evidence on this or any other issue.
The Prince Tudor theories are an intensely debated issue among Oxfordians with members taking different sides in the debate. It is an extremely emotional issue for some people in the Fellowship and in the Oxfordian movement that has led to much rancor and nastiness. If we are to avoid the intolerant and dogmatic “One True Church” approach of the de Vere Society in England we must maintain an open and free debate on this and other issues in contention between Oxfordians.
It is true that Oxford’s authorship is not dependent on whether or not one is a proponent or opponent of the Prince Tudor theories, but rather than imposing a dogma that represents only one view of the Price Tudor evidence—which has no place in a group formed to openly question the entire authorship issue—the board would have better served its members and the cause of open discussion and truth seeking if it had stated that this is an issue like many others that is open to debate.
Sincerely,Barbara Burris
Resources:

http://oberonshakespearestudygroup.blogspot.com/2011/06/sf-weighs-in-on-anonymous-and-prince.html
http://shakespearefellowship.org/news/?p=118

Popular posts from this blog

Waugaman named Oxfordian of the Year 2021

by Linda Theil Waugaman taking his first selfie in his home office in Potomac Maryland The Shakespeare Oxford Fellowship named Richard Waugaman, MD, Oxfordian of the Year 2021 at their annual conference on October 9, 2021. Waugaman is a clinical professor of psychiatry on the faculty of Georgetown University, a training and supervising analyst emeritus with the Washington Psychoanalytic Institute, and is in private practice of psychiatry and psychoanalysis in Potomac, Maryland. For over a decade Waugaman has published extensively on the topic of Shakespeare authorship including work in journals outside the normal reach of the subject such as Psychoanalytic Quarterly , the International Journal of Psychoanalytic Studies , and  Contemporary Psychoanalysis . He has presented on the topic before such diverse venues as the International Psychoanalytic Congress, the New Directions Conference, the Shakespeare Association of America, the American Shakespeare Center, and the Cosmos Club in ...

What's a popp'rin' pear?

James Wheaton reported yesterday in the Jackson Citizen Patriot that the Michigan Shakespeare Festival high school tour of Romeo and Juliet was criticized for inappropriate content -- " So me take issue with sexual innuendoes in Michigan Shakespeare Festival’s High School Tour performances of ‘Romeo & Juliet’" : Western [High School] parent Rosie Crowley said she was upset when she heard students laughing about sexual content in the play afterwards. Her son didn’t attend the performance Tuesday because of another commitment, she said.  “I think the theater company should have left out any references that were rated R,” Crowley said. “I would say that I’ve read Shakespeare, and what I was told from the students, I’ve never read anything that bad.”  She said she objected to scenes that involved pelvic thrusting and breast touching and to a line in which Mercutio makes suggestive comments to Romeo after looking up the skirt of a female. The problem with cutting out...

Dudley nails it to the door

Michael Dudley author of The Shakespeare Authorship Question and Philosphy: Knowledge, Rhetoric, Identity (Cambridge Scholars Publishing, 2023) Michael Dudley views his vocation of librarian at the University of Manitoba with dialectic rigor. "Librarianship has a duty to inform democracy," he said in Kathryn Sharpe's virtual bookclub on April 27, 2024. Dudley discussed his new book The Shakespeare Authorship Question and Philosophy: Knowledge, Rhetoric, Identity published by Cambridge Scholars Publishing last fall. Update 08/21/24 Dudley's book is also available as an ebook from   Google Play . In SAQ and Philosophy Dudley uses the hammer of logic to nail his accusations against the barricaded door of the Shakespeare citadel. "The question of Shakespeare's authorship is a malformed debate practiced in an unethical fashion," Dudley said. When asked why his book is important, Dudley said: "What sets my book apart from others on the authorship quest...