Skip to main content

Oxfordian theater critic

By
On our drive to Stratford on Saturday, Richard introduced us to an Oxfordian theater critic he had discovered on the web. According to his website, Bob Bows has been reviewing regional theater for over 11 years. His reviews are broadcast on KUVO 89.3 FM and published in The Denver Post. In an August 10, 2007 review of the Colorado Shakespeare Festival's All's Well That Ends Well, Bows had this to say:

"Let's be frank: In Shakespeare, there are no problem plays, only problematic interpretations. The root of the issue is the refusal by entrenched academic and ancillary industries to acknowledge that many think Edward de Vere, the 17th Earl of Oxford, was the actual author of the plays, sonnets, etc. attributed to William Shakespeare."

On his website, ColoradoDrama, Bows provides an essay explaining why he feels the authorship question has a place in theatrical criticism. He says:

"It is of the utmost importance that we do not allow these misperceptions to continue, for understanding the nature of this genre is as integral to its theatrical presentation as theatre is integral to our spiritual health . . ."

I was pretty much gob-smacked. Who knew there was this guy out there shouting from the mountaintop?
Labels:

Comments

Post a Comment

Popular posts from this blog

Waugaman named Oxfordian of the Year 2021

By
by Linda Theil Waugaman taking his first selfie in his home office in Potomac Maryland The Shakespeare Oxford Fellowship named Richard Waugaman, MD, Oxfordian of the Year 2021 at their annual conference on October 9, 2021. Waugaman is a clinical professor of psychiatry on the faculty of Georgetown University, a training and supervising analyst emeritus with the Washington Psychoanalytic Institute, and is in private practice of psychiatry and psychoanalysis in Potomac, Maryland. For over a decade Waugaman has published extensively on the topic of Shakespeare authorship including work in journals outside the normal reach of the subject such as Psychoanalytic Quarterly , the International Journal of Psychoanalytic Studies , and  Contemporary Psychoanalysis . He has presented on the topic before such diverse venues as the International Psychoanalytic Congress, the New Directions Conference, the Shakespeare Association of America, the American Shakespeare Center, and the Cosmos Club in ...
Read more

What's a popp'rin' pear?

By
James Wheaton reported yesterday in the Jackson Citizen Patriot that the Michigan Shakespeare Festival high school tour of Romeo and Juliet was criticized for inappropriate content -- " So me take issue with sexual innuendoes in Michigan Shakespeare Festival’s High School Tour performances of ‘Romeo & Juliet’" : Western [High School] parent Rosie Crowley said she was upset when she heard students laughing about sexual content in the play afterwards. Her son didn’t attend the performance Tuesday because of another commitment, she said.  “I think the theater company should have left out any references that were rated R,” Crowley said. “I would say that I’ve read Shakespeare, and what I was told from the students, I’ve never read anything that bad.”  She said she objected to scenes that involved pelvic thrusting and breast touching and to a line in which Mercutio makes suggestive comments to Romeo after looking up the skirt of a female. The problem with cutting out...
Post a Comment
Read more

Dudley nails it to the door

By
Michael Dudley author of The Shakespeare Authorship Question and Philosphy: Knowledge, Rhetoric, Identity (Cambridge Scholars Publishing, 2023) Michael Dudley views his vocation of librarian at the University of Manitoba with dialectic rigor. "Librarianship has a duty to inform democracy," he said in Kathryn Sharpe's virtual bookclub on April 27, 2024. Dudley discussed his new book The Shakespeare Authorship Question and Philosophy: Knowledge, Rhetoric, Identity published by Cambridge Scholars Publishing last fall. Update 08/21/24 Dudley's book is also available as an ebook from   Google Play . In SAQ and Philosophy Dudley uses the hammer of logic to nail his accusations against the barricaded door of the Shakespeare citadel. "The question of Shakespeare's authorship is a malformed debate practiced in an unethical fashion," Dudley said. When asked why his book is important, Dudley said: "What sets my book apart from others on the authorship quest...
Read more