Skip to main content

Hemingway shown Shakespeare skeptical


by Linda Theil

Ernest Hemingway may be added to the list of Shakespeare authorship skeptics thanks to Nina Green finding a Hemingway letter to Scribner editor Maxwell Perkins. Hemingway opens the letter datelined August 27, 1942 “La Finca Vigia” with praise for Alden Brooks’ Will Shakespeare and the Dyer’s Hand (Scribners, 1943) wherein Brooks proposes Sir Edward Dyer as the true author of Shakespeare’s plays. 

Hemingway said:
Dear Max: Thank you very much for sending me the galleys from Alden Brooks's Shakespeare book. I think it is very possible, as he told me last fall in Tucson, that he has really nailed the man at last. He is so enthusiastic and follows so like a bloodhound and a district attorney with a record for convictions, on the trail of poor Will that he will alienate many people, but as you say he piles up a terrific amount of evidence. Anyway, it is a marvelous job and it would be a crime for it not to be published. He is a good man too and was a fine soldier. . . .
Max Perkins had been shepherding the authorship book through the editorial process at Scribner’s, and had shared his enthusiasm for the work with Hemingway. Perkins biographer, A. Scott Berg, reported in Max Perkins: Editor of Genius (NAL 1979):
In 1942 Perkins was reading proofs of a book that did get published only because of his obstinacy. It was Alden Brooks’s Will Shakespeare and the Dyer’s Hand. For some time the book had been a mania with him. At every editorial conference Perkins brought it up and the board unanimously voted it down. “So, being a man of infinite patience,” one Scribners employee recalled, “he would introduce his suggestion at the next conference, with the same result.” What charmed Perkins about the work was that it credited Sir Edward Dyer, an editor with Shakespeare’s success. Indeed, the book had convinced Perkins that “the man Shakespeare was not the author of what we consider Shakespeare’s works.” Eventually the board gave in, to please Perkins. Max sent copies to many critics, hoping to rouse support. Nearly every one dismissed the work as mere speculation. Still Perkins retained his faith in the book and his respect for it. It made him aware, he told Hemingway, “how frightfully ignorant I am in literature, where a publishing man ought not to be.”  (pp 398-9)
Perkins’ devotion to Brooks’ heretical Shakespeare authorship work is well-known to longtime authorship researchers. In a July 26, 2016 post on Hank Whittemore’s Shakespeare Blog, Whittemore detailed the topic in a post titled “Max Perkins to Ernest Hemingway: “That Stratford Man Ain’t No Shakespeare!” 

In the article, Whittemore quotes an August 13, 1942 letter from Perkins to Hemingway published in From Editor to Author: The Letters of Maxwell E. Perkins (Scribners, 1950) by J.H. Wheelock. The entire letter is quoted in Editor to Author. . .; Whittemore focussed on the final paragraph that reads: 
I am trying to read proofs on Alden's book, and it is most interesting. It is certain, to my mind, that the man Shakespeare was not the author of what we consider Shakespeare's works.
Until last week when the question came up on Nina Green’s Phaeton email list, no Hemingway response on the topic of Shakespeare authorship was generally known; but, on October 29, 2017 Nina Green wrote on Phaeton:
I’ve received a reply to the e-mail I sent to the Hemingway Letters Project advising that Hemingway did mention Alden Brooks’s book on the authorship issue in a letter to Maxwell Perkins dated 27 August 1942. The letter is on p. 539 of Carlos Baker’s Hemingway: Selected Letters (Scribner’s, 1981).  It appears Perkins had sent Hemingway galley proofs of [Will] Shakespeare and the Dyer’s Hand, and in his letter to Perkins, Hemingway apparently says Brooks did “a marvelous job”.
I’m hoping to get hold of a copy of Carlos Baker’s book containing that letter at the university library later today, and will post more once I have it.




Hemingway refers to Alden Brooks’s book on the Shakespeare
authorship in a letter to Maxwell Perkins dated 27 August 1942.
Carlos Baker’s Hemingway: Selected Letters (Scribner’s, 1981), p. 539.

The result of Green's efforts is the August 27, 1942 Hemingway quotation posted at the top of this article and the photos shown above. Hemingway letters after 1931 are not yet available on the Hemingway Letters Project site.

Resources
Nina Green's The Oxford Authorship Site, http://www.oxford-shakespeare.com/documents.html

Popular posts from this blog

Canadian Adaptations of Shakespeare Project from the University of Guelph

  Quote from masthead of Canadian Adaptations of Shakespeare Project This treasure trove of a site offers much to Shakespeare omnivores, not least of which is the Spotlight feature on Aboriginal adaptations of Shakespeare  . Here's a snippet from the main page introduction of the site: T h e  Canadian Adaptations of Shakespeare Project   is the online resource for anyone interested in how Shakespeare's plays have been transformed and adapted in Canada. But it also contains a wealth of material that relates to all things Shakespearean. With the launch of CASP Version 2, we are pleased to expand the already ample offerings on the site. These include a significant increase in multimedia files; multiple new pages on new areas of research with an emerging focus on French Canada; a huge amount of special resources, including documents, books, scholarly articles, reviews, images, and the like; a literacy video game and perhaps the most comprehensive and intensely multi-mediated stud

Ros Barber's new Shakespeare authorship book out November 24, 2013

by Linda Theil Ros Barber's Shakespeare: The Evidence --The Authorship Question Clarified will be published Nov. 24, 2013. Info at  https://leanpub.com/shakespeare . Video promo for the book (above) is available on YouTube at Shakespeare: The Evidence. Promo material on the publisher's page says: Whether you are a firm believer that Shakespeare wrote Shakespeare, or suspect that he didn't, this book aims to enable readers to gain a more comprehensive knowledge of the problems at hand, clarify their thinking, and identify weaknesses in, and logical rebuttals to, the arguments of their opponents, as well as potentially strengthening their own. Ros Barber, PhD is the author of The Marlowe Papers (St. Martin's Press, 2013) that won the Hoffman Prize in manuscript in 2011. UPDATE 11/17/13 : A note published today by Ros Barber at  http://rosbarber.com/shakespeare-evidence/  says the first installment of the  Shakespeare: The Evidence  ebook will be published o

Lawler's LeFranc translation published

 by Linda Theil Frank Lawler, author of Behind the Mask of William Shakespeare In September, Oberon Zoom member Frank Lawler released Behind the Mask of William Shakespeare , his new translation and annotation of Abel Lefranc's Sous le Masque de William Shakespeare under the imprint of James Warren's Veritas Publications, LLC. Lawler generously agreed to share his thoughts about the work with Oberon readers. Oberon: What drew you to this enormous project? Lawler: Abel Lefranc's two-volume Sous le Masque de William Shakespeare was published in 1918 and 1919. The man was a brilliant scholar of literary history who, as a Frenchman, wasn't burdened with the entrenched English hagiography of the man from Stratford. A world-renowned expert on Moliere and Rabelais, he had academic credentials rivaling those of the greatest of the orthodox bardologists of the early Twentieth Century. Lefranc, however, thought the Stratfordian myth was ludicrous. Having spent most of his caree