Skip to main content

Road trip!

Critic Caldwell Titcomb reported yesterday in The Arts Fuse on the Actors from the London Stage (AFTLS) performance of King Lear at universities around the country.


Titcomb says:
Shakespeare’s challenging “King Lear” is the vehicle for this year’s fall tour of the troupe called Actors From the London Stage (AFTLS). This project was begun in 1975, and has been flourishing ever since, with impressive results.
Read his review at: The Arts Fuse Theater Review: "Actors From the London Stage"


AFTLS is based at Notre Dame in South Bend, but Oberons have missed their fall presentation of King Lear there. They'll be nearby at Butler University in Indianapolis October 19-25 and at DePauw University (Greencastle, Indiana) November 2-8. The group will do Romeo and Juliet January 25-31, 2010 at Notre Dame and tour the play next spring. First South Bend then on to more Shakespeare in Chicago! Sounds like a road trip to me -- or a conference site!

Comments

Popular posts from this blog

Was King Richard III a Control Freak? Science News ... from universities, journals, and other research organizations   Mar. 4, 2013 — University of Leicester psychologists believe Richard III was not a psychopath -- but he may have had control freak tendencies. University of Leicester psychologists have made an analysis of Richard III's character -- aiming to get to the man behind the bones. Professor Mark Lansdale, Head of the University's School of Psychology, and forensic psychologist Dr Julian Boon have put together a psychological analysis of Richard III based on the consensus among historians relating to Richard's experiences and actions. They found that, while there was no evidence for Shakespeare's depiction of Richard III as a psychopath, he may have had "intolerance to uncertainty syndrome" -- which may have manifested in control freak tendencies. The academics presented their findings on Saturday, March 2 at the University

What's a popp'rin' pear?

James Wheaton reported yesterday in the Jackson Citizen Patriot that the Michigan Shakespeare Festival high school tour of Romeo and Juliet was criticized for inappropriate content -- " So me take issue with sexual innuendoes in Michigan Shakespeare Festival’s High School Tour performances of ‘Romeo & Juliet’" : Western [High School] parent Rosie Crowley said she was upset when she heard students laughing about sexual content in the play afterwards. Her son didn’t attend the performance Tuesday because of another commitment, she said.  “I think the theater company should have left out any references that were rated R,” Crowley said. “I would say that I’ve read Shakespeare, and what I was told from the students, I’ve never read anything that bad.”  She said she objected to scenes that involved pelvic thrusting and breast touching and to a line in which Mercutio makes suggestive comments to Romeo after looking up the skirt of a female. The problem with cutting out the naug

Winkler lights the match

by Linda Theil When asked by an interviewer why all the experts disagree with her on the legitimacy of the Shakespeare authorship question, journalist and author Elizabeth Winkler  calmly replied, "You've asked the wrong experts." * With that simple declaration Winkler exploded the topic of Shakespearean authorship forever. Anti-Stratfordians need no smoking gun, no convincing narrative, no reason who, how, when, or why because within the works lies the unassailable argument: Shakespeare's knowledge. Ask the lawyers. Ask the psychologists. Ask the librarians. Ask the historians. Ask the dramaturges. Ask the mathematicians. Ask the Greek scholars. Ask the physicists. Ask the astronomers. Ask the courtiers. Ask the bibliophiles. Ask the Italians. Ask the French. Ask the Russians. Ask the English. Ask everyone. Current academic agreement on a bevy of Shakespearean collaborators springs from an unspoken awareness of how much assistance the Stratfordian presumptive would h